the man from london造句

• She co-directed " The Man from London " in 2007, again with Tarr as lead director.
• He starred in the film " The Man from London ", which was entered into the 2007 Cannes Film Festival.
• Tarr would later compete in the 2007 Cannes Film Festival with his film " The Man from London ", which opened to less enthusiastic, but nonetheless positive, reviews.
• After " Werckmeister Harmonies " he began filming " A Londoni f閞fi " ( " The Man From London " ) an adaptation of a Georges Simenon novel.
• "The Man from London " was the first of Tarr's films to premiere in competition at the Cannes Film Festival, but despite being highly anticipated, it won no prize.
• "The New York Times " reviewer Nathan Lee described " The Man from London " as " bloated, formalist art ", and an " outrageously stylized, conceptually demanding film " that dehumanizes and alienates its audience.
• At a symposium on the Hungarian filmmaker B閘a Tarr held at Facets Multimedia on September 16, 2007, American film critic Jonathan Rosenbaum mentioned that Tarr's then-new feature, " The Man from London " ( also based on a novel by Georges Simenon ), was influenced by " Night at the Crossroads ".
• For many years, none of his work was available on DVD ( except in Japan ), but " Werckmeister Harmonies " and " Damnation " have been made available on a two-disc DVD in Europe, courtesy of Artificial Eye ( who have also issued " The Man From London " ) and both films are now available in North America on separate DVDs from Facets Video.
• Critical reception to " The Man from London " was generally positive, though less adamant than that of the director's previous two works; while reviewers spoke in glowing terms of the formidable cinematography and meticulous composition, they felt the film lacked compelling characters . " Variety " reviewer Derek Elley commented that the film was unlikely to reconcile the division between viewers of Tarr's films who find the director to be " either a visionary genius or a crashing bore ".